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Rachel Youens on Horace Pippin
I was struck by Pippin’s preference for angular, even knife-like, shapes and harsh environmental contrasts
Trenton Doyle Hancock on Kerry James Marshall
The cool confident stare of Marshall’s “Nat Turner” speaks directly to me as a painter, saying to accept without regret the task at hand and rewrite the master script of possibility.
Andrew Fish on Henry Taylor
There’s an unabashed honesty in the way Henry Taylor paints a picture.